- Canon Lens
- Wednesday, 13 December 2017 15:35
Macro photography is just way cool. And it is not really that hard to get super quality images, especially when you partner your Canon digital SLR
with the right Canon ef macro lens. Discover the difference and find out which lens is right for you.
Macro photography is just way cool. And it is not really that hard to get super quality images, especially when you partner your Canon digital SLR with the right Canon ef macro lens.
Which lens is right for you?
First of all, you can actually take macro shots with many different lenses, but a true close up lens has special construction methods to allow you to get up personal with your subject, whether it be a flower, an insect, or someone's eyeball. The measurement that experts go by is a 1 to 1 magnification, and some go much higher.
What you see when you take a close up shot is not always what you expect. Many times you get some really pleasant surprises. For example, I was shooting a photo of a lacewing butterfly dining on a zinnia flower, and when I uploaded the picture to my computer, I was surprised and excited to see that I had also gotten two tiny little insects mating. I had not even seen them on the plant. And this happens all the time.
In addition, I am always thrilled with the detail when shooting with my macro lenses. I do take lots of pictures of nature, especially flowers and insects. There are so many "OMG" moments. For instance, when I see the itty bitty hairs on a fly's face and legs, I just have to wonder at the awesome creation that very few of us are aware of being around us.
If you are considering getting into this type of photography, you will not be disappointed with the results. The pictures you take will keep you coming back for more.
As far as focal length is concerned, Canon ef macro lenses come in several shapes and sizes ranging from 50mm up to 180mm. And, as you might guess, the longer the length the higher the price tag. With one exception, which is the Canon MP-E 65mm which is a very special lens (don't go there for your first macro lens).
The shortest focal length is 50mm. There are several 50mm lenses, but only one is a designated macro lens, so be aware that the cheapest 50mm lens is not the one you want for close up photography.
Most popular among this category lens is the 100mm. It comes with built-in quality and awesomeness. It has the magic of close-up that will delight you every time.
And then there is the MAC-daddy 180mm lens. Again, you will have no regrets.
One of the great things about all of these lenses is the image quality
. They are prime, meaning single focal length, lenses. This makes is easier for the engineers to get excellent quality without having to deal with maintaining quality over the zoom range of the lens.
My personal recommendation is to stick with a prime lens for your close-up work. There are many zoom lenses that claim to be macro, and that is fine if you want the flexibility of zoom, but their main function is not for close-up photography.
Did I mention that these lenses are also capable of excellent portraits? They are. It is one of the added benefits you get with any Canon ef macro lens, except the MP-E 65mm.
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ABOUT THE AUTHOR
If you choose to get a Canon EF Marco lens, make sure you check the stats and user satisfaction before you buy.
Click on http://www.canoneoslenses.org/macro-canon-lens/ for help and direction in making your choice.
- Canon Lens
- Wednesday, 13 December 2017 15:33
Good, cheap lenses for digital SLR cameras are hard to find, especially a good cheap 50mm lens for a Canon DSLR. Make sure you read this entire article because you will be very surprised at what you will learn.
A 50mm lens is practically a requirement for every single lens reflex camera owner. This is not a wives' tale, it is the "old" industry standard. The development of zoom lenses has made the "50mm rule" a relic. Many photographers who are new to the business or hobby are not aware of the premise at all.
However, when you consider the quality of images that are produced with prime lenses verses zoom lenses, the prime lenses win almost every time.
Canon has developed the technology of the 50mm lens to a point where it really should be a "standard" in every photographer's kit.
Think about it. Changes in focal length that happen during the "zoom process" necessitate much more complex technology to deal with unwanted effects like barrel distortion or vignetting. Since the Canon 50mm lenses are already fantastic in their engineering, if a new development in lens glass comes along, they just have to replace the glass and all is good.
There are 3 models of the 50mm Canon lens.
** 50mm f/1.2 L - expensive but fantastic (it's an L lens)
** Canon EF 50mm f1.4 USM - the mid-grade lens with excellent image quality
** 50mm f/1.8 - cheap but fantastic
There is not much difference to note unless you look a little closer. The aperture and the quality of construction are where the differences come in to play. At the top of the list is the most solidly built lens, in fact the top two have a better build quality, and the also contain more glass elements than the third one. But it is image quality that is the determining factor to the viewer, the the image quality of these three lenses is very close indeed. This is especially true for someone who views your images with a "normal eye" .
Canon has essentially taken the great technology and used some less expensive "wrapping" in the form of plastic casing to make the 50mm f/1.8 lens really affordable for virtually every Canon DSLR owner.
Aside from producing really good images, this cheap 50mm lens for Canon cameras has another really distinct advantage for photographers who are just entering the digital SLR market with cameras such as the Rebel or the newest mid-range 60D model. Because of the 1.6 "crop factor" of these cameras, the 50mm lens length becomes the same as 80mm on a regular 35mm camera. This is the perfect length for doing portraits and other similar photo jobs that require a medium telephoto lens.
Here is the plain truth. If you purchase any zoom lens in the $100 price range, you will definitely be getting a consumer grade product with less than stellar image quality. If you purchase the cheap 50mm Canon lens, you will be getting top of the line image quality.
The main gripe about this lens is that is feels cheap, and while this may be true, the resulting images do not look cheap at all.
Even a lens built like this can last for a long time if proper care is taken.
Hopefully, you are ready to find out much more about this dandy little "cheap" Canon 50mm lens. Click on http://www.canoneoslenses.org/ to find out which Canon lens is the right choice for your Canon digital SLR.
- Canon Lens
- Wednesday, 13 December 2017 14:53
Canon easily has the widest range of lenses that a photographer can think of, and that trend appears to be holding steadfast across their camera lines, too. From ultra-wide lenses to telephoto lenses, you can be sure that you can get one that suits your expansive tastes and budgets. For those that have been looking for some lenses for their Canon camera, here are some of the best which provide bang for your quickly fleeting bucks, taking high and low budgets into consideration.
Value Lenses – The EF 50mm f/1.8 II by Canon
There are reasons why the 50mm f/1.8 lens by Canon is one of the must-haves for any Canon users. The lens is not only cheap but also light and fast. It works well with both full-frame and crop body image handling, and is certainly one of the favorite lenses to go with when it comes to portraiture. However, because it is cheap, it also means that the body is made out of plastic and has an older, less responsive focusing system. Nevertheless, it is a great lens to have, especially when operating at aperture above f/2.0. Professionally speaking, that’s pretty darn good.
Value Lens – The EF 70-200mm f/4L IS USM by Canon
As compared with its bigger and bulkier f/2.8 IS II USM variant, the Canon EF 70-200 f/4L IS USM is certainly a good telephoto lens for those that simply cannot afford the aforementioned variant. The built-in IS means that it can compensate for a few stops of aperture and when taking videos, Image Stabilization can be a blessing as well. The tripod collar for this lens, however, costs a bit more than $100, which leads us towards another question to consider when lobbying for value lenses: how much is too much for tripod collars?
Value Lens – The 70-300mm f/4-5.6 Di VC by Tamron
If you want a telephoto lens that will cost you less than $500, the one by Tamron can be considered. The vibration compensation (VC) is similar to Canon’s IS technology and this will give the user 3 stop stabilization. The optics on the Tamron 70-300mm f/4-5.6 Di VC is good and can almost be compared with the 300mm prime lens by Canon. One potential downside of the lens is that it has a variable aperture.
High-end Lens – EF 70-200 f/2.8L IS II USM by Canon
This lens is without a doubt, a must-have for any photographer that can afford it. Suffice to say that when you go to an event that has professional photographers, you will definitely see this lens being used by them. It has a silent USM focusing and the new IS II is much better than the one before. On a cropped body, you will get an effective range of 105-300mm. Read more on this lens.
In The End…
All that really counts is what you’re comfortable learning, spending and wish to implement into your daily pictography needs. Once you’ve chosen the lens, make sure you’ve factored in collar costs and other protective sheaths to assure this hefty investment holds value for decades to come.
About The Author
Roger Kowalewski is a freelance writer and gadget guru from Indiana. You can follow him on Google+.